Showing posts with label graffiti. Show all posts
Showing posts with label graffiti. Show all posts

Tuesday, 7 June 2016

I'm no good next to diamonds



The past few weeks have been laced with exhaustion. I would ask myself what fresh hell the fates could come up with, how much shit I'd have to wade through to get to some point far off in the distance that signalled an end to whatever this limbo was. And I'd wallow in the apparent hardship of things not working out quite as planned, also because I had not in particular planned anything.

But the tides have turned somewhat. May the odds be ever in your favour, and all that.
One of the reasons is that I get to see JR on a daily basis. The new job is situated in an old industrial area that is being gentrified to seduce startups and other exciting medium-sized enterprises to use the tall stone buildings as bases. One of the towers features an image that was part of JR's 2013 project Wrinkles of the City  where the portraits of an older generation on buildings that have equally stood the test of time indicate how people grow and change with the hardships and joys that their cities experience.

I wonder if this will be true again in 50+ years when a portrait is created of this generation, a generation that is constantly on the move and wanting to experience the world. Do we all have a home? A place we cling to, a place we can return to, when all else breaks away? Or do places and spaces become increasingly irrelevant as concepts of what home is in a time of crisis have to adapt to people being driven by the hundreds of thousands out of the cities that were once theirs?

Questions for another day.

Thursday, 19 November 2015

Terrible Love

They wanted to separate us. They have brought us together.
"We don't need to go into work if we're afraid because of the raid" came the message in our intern-WhatsApp-group. I had just woken up and was unclear what the others where talking about. What raid? Where? And why would I not go to work because of a raid? Huh? Turns out they were talking about the raid by police in Saint Denis yesterday, during which the cousin of the alleged mastermind behind Friday's attacks blew herself up and numerous others were apprehended or killed. 

Friday night I had met some friends near the Centre Pompidou for drinks and dinner, and just as we were deciding on pizza or thai food a message came through about there having been attacks at the Stade de France. I didn't even know really that a football game was happening, so I thought it might just be soccer violence. The others whipped out their phones as well and as the news began getting progressively worse and the sirens of police vans increased we all decided to head home. Once there, I spent the rest of the evening with the couple I am staying at, all glued to the TV and watching as the death toll went steadily up. Friends kept messaging if everything was ok, that they'd just heard the news. When the death toll reached 80 people and the siege in the Bataclan was still ongoing, I decided to go to bed, that this could only get worse.

Change. Love. 
The next morning I woke to dozens of messages and Facebook asking me if I was safe. It was strange to find out that we had been to one of the restaurants, Le Petit Cambodge, a few weeks ago because it features on a Buzzfeed list of places to eat at in Paris. Or that at 19 I had been to the Bataclan to see TV on the Radio, or that friends couldn't get home because the whole area had been cordoned off.

I packed my bag and walked to work, thinking that the thesis waits for no terrorists. The Marais, usually brimming on the weekends, was empty, the city deserted. Somehow, after unusually sunny November weeks winter had come in this night of terror. At a pedestrian crossing a siren could be heard approaching and for a split-second the man next to me and I looked at one another, a moment of dread in thinking "what has happened now?".

Fight hatred with this thing we call love. 
Even at work somehow I could get nothing done, sifting through report after report on what had happened. A friend was at the office as well, recounting how he'd been in the 11th and how they'd remained in a restaurant until the early hours of the morning, telling morbid joked to pass the time. People were posting #PrayForParis and changing their FB photo to the Tricolore whilst others were critiquing that the Beirut bombings had been ignored and that the whole attack was because of an extreme belief in one religion. On Instagram, "430 million interactions–that’s posts, likes and comments–were created in these first 24 hours, with people in more than 200 countries participating".

Saturday we were supposed to go to a concert, now cancelled, so we gathered at a friend's place, ate together and drank wine while discussing the events. Somehow after tragedy strikes one needs others to make sense of how this could happen, after 9/11, after Charlie Hebdo, after increases in security. Who was behind all of it? And what was the aim?

The Other is your friend.
Sunday marked the beginning of a certain defiance in the city of being told to remain indoors, of being afraid of when the next attack might come. The sun was shining and everyone was out, walking on the banks of the Seine, talking and laughing. For the past week, I have seen the same spirit in the roads of the city: people in cafés, people in restaurants; a father explaining during an interview to his young son that they might have guns but that we have flowers, and that flowers will always be stronger; graffiti stating that this event has brought us closer together; and an article by Andrew Street following the words of Vonnegut in stating "if we fight each other, we create fresh hells for ourselves. The enemy can only win if we do the fighting for them. We're a whole lot smarter than that. God damn it, we've got to be kind".

On Monday, the office had a general meeting to discuss the weekend's events and ask if anyone wanted to say anything. It was odd and awkward, thinking that anyone would want to talk about their feelings in front of 30 colleagues. Instead, people stood in office doors and huddled over lunch, explaining where they were on Friday and whether they knew of anyone who had gotten hurt. Some were saying that the Charlie Hebdo attacks earlier this year felt markedly different, because one could easily say "That has nothing to do with us, that is not our fight". But now, it was an attack on society itself and the values it guards most closely. It was an attack on the freedom to go have a beer after work on Friday or see the prostitution exhibit at the Musée d'Orsay or enjoying a night of head-banging with your friends. This time everyone was affected because it was a terror that goes against our very way of life.

Perhaps because of this life goes on. People are opposing statements against this being "the fault of the refugees" or "the muslims" or other hateful thoughts that creep in and make you not see the other as human and equal and as having the same rights as you. People seem to be wanting to be kind, because despite the governments bombing ISIS and the media whipping itself into a frenzy, there is no way other than trying, at the very least, to be kind.

The silence of pain is at times stronger than the cry of hatred. 

Saturday, 7 September 2013

Life's for the Living

I haven't posted in a while because before a move there is always so much that still needs to be done, and the same thing goes for when you have arrived where you moved to. At the moment I am in Berlin, whilst trying to find accommodation in Flensburg. At least the university only starts at the end of October, so I'm hoping that that will be sufficient time not only to find a place, but an awesome commune with great roommates. Aiming high :)

In comparison to Pretoria it is amazing how much is happening here at all times. Through my FB stalking I saw that Bastille was coming to SA for Ramfest next year, and I was superjealous. That is, I was superjealour until I found out they played here, yesterday. Ok, I missed them, but the likelihood of them playing somewhere accessible here is greater than in SA.

On Wednesday we spent the day on the Museumsinsel (museum island) where the amount of statues, paintings and information was overwhelming. Afterwards, we went to a photographic exhibit in Mitte at Mein Haus am See. Walking in felt a bit like being home, because it was full of hipsters. Then I remembered I have no friends here and after a long day of walking around I looked decidedly uncool, so my whole 'I have found my people!' sentiment went out the window pretty quickly. Maybe the Apfelschorle instead of beer didn't help my coolness factor either. Anyways, becoming slightly more German in order not to be astounded/confused/enraged by everything is a long process, apparently.

There was a guy playing on his guitar as well, Graham Candy from New Zealand, who was quite cool. He started of with a cover of Bon Iver's Flume, and mixed covers of the Black Keys, Alt-J (I think) etc., in with his own stuff. Very nice, Mr. Candy.

The photographs were by Kevin Russ, and upon further investigation (meaning I went to the website) it turns out he works with Photocircle, where you order the photos you want, printed the way and in the size you want, and a part of the price goes to different charities. More on that at a later stage.

Here are some first-experiences photos :)

Somewhere over Germany

Alphonse Mucha-inspired enormous mural in Pankow

On the Museumsinsel


Pergamonmuseum





Caesar

Yo. Cup. 

Kevin Russ's work

Graham Candy










Sunday, 18 August 2013

Read all about it

This Banksy poster, via DesignTaxi


Click here for a bigger version

Sunday, 21 October 2012

Was ich lieb/das is n dicker Beat und n Bass/

This video, entitled Berlin speaks for itself by Emus Primus, is via Street Art Berlin, and the music consists of the words in the graffiti that was posted around the city.


Thursday, 3 May 2012

Don't say no,no,no,no. Just say yeah yeah yeah...

Now this is the way to a girl's heart: graffiti. ( this one via the Laughing Squid)



The wall was later updated with a little "she said YES!". Yay for happy marriages.


Great graffiti always makes me want to grab a spray-can and go out into the streets. After I saw Exit through the Gift Shop, a friend and I defaced some of the political party posters ( at that time the country was nearing some kind of vote, I am guessing for local government? As in the area one lives in, not national government). I accept that that was quite lame, but fun none the less. 

South Africa is not really synonymous with graffiti, and my best guess is that because we no longer really live in the cities, but in suburbia, there is no real graffiti. I know in Cape Town and Joburg there are a couple of artists though ( like Faith47, who features in the film The Creators about artists in SA). But in Pretoria? I haven't seen anything. Perhaps in other parts of the city? 

I'll have to look into graffiti here some more, it seems like an interesting topic for weekend excursions.